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Portrait Aleksey Dayen

Aleksey Dayen was born on October 30, 1976. He is a Russian-American poet and novelist, publicist, translator, artist. He was born and raised in the USSR and immigrated to New York in 1994. His works have been published in anthologies and leading periodicals worldwide. He works as an editor-in-chief of the Member's Magazine, a literary review, and as co-editor of five non-conformist journals in Russia. He is writing in both Russian and English. In 2004, he was awarded the David Burliuk Prize for international poetry achievement. A member of the Academy of Russian Poetry founded by Josef Brodsky, he works as a freelance translator and interpreter for various projects worldwide. Died on November 20, 2010 at 34 years old in New York 2010.

2010  WOMAN TO YOUR RIGHT
           Poetry Book, Cross Cultural Communications, Merrik, NY

2009  POETRY EVENING | Pierre Menard Gallery, Cambridge/MA
           POETRY EVENING | The Dylan Thomas Centre, Swansea/UK
           WALKING WITH DYLAN THOMAS | Mid-Manhattan Library, New York
2008  ON THE SHELF | Novel in Russian, Moscow
           TRESKA PECHENI | Poetry in Russian, Moscow
           NO!LOVE | Poetry book, Cros-Cultural Communications, Merrik, NY
           POST-CONCEPT / SMESHTECH-CONCEPT | L Gallery, Moscow
2007  POETRY READING | Video created by M. Mart and G. Wallace, New York
           IN PRAISE OF MICHAEL BENEDIKT | Bowery Poetry Club, New York
2006  QUEENS, APRIL 2nd | book, Futurum Art, Moscow, Russia
           ABSINTHE THEN LOVE | book, Cross Culture Communications, Merrik, NY
           LETTER BY HAL SIROWITZ to Aleksey Dayen
2005  JAZZ AUTO-DA-FÈ | book, Cross-Cultural Communications, Merrick, NY
           POEMS FOR THE NO!art SITE
2003  VERTICAL CITY | collection of stories, Ibikus, Novokuznetsk, Siberia

NO!art involved Artists: ARMENTO + ARONOVICI + BAJ + BARATELLA + BECHER + BROWN + BRUNET + BRUS + CHORBADZHIEV + D'ARCANGELO + DAYEN + DE RUVO + EHM-MARKS + ERRO + FABRICIUS + FISHER + GATEWOOD + GEORGES + GERZ + GILLESPIE + GILMAN + GOLDMAN + GOLUB + GOODMAN + HALLMANN + HASS + HJULER + KAPROW + KIRVES + KUSAMA + KUZMINSKY + LEBEL + LEVITT + LONG + LST + LURIE + MASTRANGELO + MEAD + MESECK + PATTERSON + PICARD + PINCHEVSKY + RAMSAUER + RANCILLAC + ROUSSEL + SALLES + SALMON + SCHEIBNER + SCHLEINSTEIN + STAHLBERG + STUART + TAMBELLINI + TOBOCMAN + TOCHE + TSUCHIYA + VOSTELL + WALL + WOLF + WOYTASIK + ZOWNIR

NO!art has continued way beyond 1964 and also prior to 1958. The "cutting-off" date 1964, as espoused by the art historian is entirely artificial. Such cutting-off dates are common to art historians, done for cataloguing purposes, and what is more, for accreditation of monetary value in the art market. The cutting-off dates also have a devastating effect on the production of artists, who are, by those means, being convinced that what they produce after a cutting-off date is secondary in importance, and do not belong any longer to the "new times". Yet the art market hated it, for practical reasons of creating confusion about monetary value. That is the main and real reason for art historians and critics insisting on this untrue measure. - Boris Lurie, 2003.

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